Xorteza
About
“A Landscape of Collapse: The Chronicle of Fading into Our Own Ashes”
This collection is a visual manifesto that, within the silence of analogue black and white, cries out the profound crisis between humanity and the Earth. These frames serve as a bitter report on the devastating footprint of our own hands upon the body of nature; a space where reckless growth and development have shattered the boundaries between living and destroying.
The narrative in these images begins by observing lifeless remnants in a polluted environment and quickly advances toward deep wounds inflicted upon mountains and the face of the land—wounds created to feed our unstable and aimless constructions. The photographs present an explicit view of the vicious cycle of destruction: from the ruin of resources to the collapse of the very structures we built from them. In this world, water has yielded its place to waste, and fertile lands have become the altar for unregulated development.
This collection is not merely environmental documentation, but an existential critique. Living beings, caught in the midst of this man-made crisis, share the suffering and act as silent witnesses to the annihilation. At the end of this journey, confronting the vast, disfigured landscape, the viewer realizes that the solitude and full responsibility for these calamities rest with us. This series serves as a prophecy, declaring: By destroying our world, we are ultimately taking steps toward our own demise. These frames are a chronicle of fading into our own ashes.
“2021-2022.”
The narrative in these images begins by observing lifeless remnants in a polluted environment and quickly advances toward deep wounds inflicted upon mountains and the face of the land—wounds created to feed our unstable and aimless constructions. The photographs present an explicit view of the vicious cycle of destruction: from the ruin of resources to the collapse of the very structures we built from them. In this world, water has yielded its place to waste, and fertile lands have become the altar for unregulated development.
This collection is not merely environmental documentation, but an existential critique. Living beings, caught in the midst of this man-made crisis, share the suffering and act as silent witnesses to the annihilation. At the end of this journey, confronting the vast, disfigured landscape, the viewer realizes that the solitude and full responsibility for these calamities rest with us. This series serves as a prophecy, declaring: By destroying our world, we are ultimately taking steps toward our own demise. These frames are a chronicle of fading into our own ashes.
“2021-2022.”
IV